Popular Tradition
by
Charles Godfrey Leland
I first acquired a copy of Etruscan Roman Remains a year ago. After fifteen minutes of thumbing through its pages I became quite impressed with the textual content and illustrative content correlative to the Sacred Text pictographs.
I myself, have no doubts that the Sacred Text pictographs originate from the Ancient Etruscan races. For example, in the foregoing volume on page 96 (click here), I quote, "And it was indeedfrom his books and teachings that all Roman divination and sacred observances were drawn.", with a beautiful illustration of what appears to be an Etruscan La, the most mysterious and difficult of the 9 pictographs in the Sacred Text to correlate to any culture.
So numerous are the inferences between this book's illustrations and textto the Sacred Text, the only proper course is to quote the foregoing volume in its entirety for the reader's understanding to flourish with the ancient wisdom both have to offer.
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Title Page / Table of Contents / List of Illustrations / Introduction / Introduction Part 2 / Turn to Page / 18-30 / 31-43 / 44-60 / 61-75 / 76-90 / 91-104 / 105-118 / 119-131 / 132-144 / 145-154 / 155-166 / 167-176 / 177-187 / 188-197 / 198-207 / 208-217 / 218-227 / 228-237 / 238-247 / 251-262 / 263-274 / 275-284 / 285-295 / 296-307 / 308-317 / 318-328 / 329-338 / 339-350 / 351-361 / 362-376 / Index / Acor-Dion / Dion-Invo / Invo-Orph / Ovid-Tour / Tozz-Zumi / 
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