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To: alt.astrology,alt.tarot,alt.magick,alt.divination,alt.magick.tyagi From: glass@panix.com (Robert Scott Martin) Subject: Re: The Lord of the Rings Tree of Life Date: 21 Jan 2003 13:48:27 -0500 In article, nagasiva wrote: [Kitsch Divination: The Sgt Pepper Tarot] >do you think that such constructions can yield the mysteries >of the universe in novel form? or are their cutting edge >qualities too much to connect with tradition? My first response would be to downplay the value of "novelty" or "tradition" in favor of intimacy. I think these types of kitsch pop divination systems provide an extremely intimate vehicle for communicating their content -- since the target audience already has a fan attraction to the imagery, the learning curve is smoothed into something approaching a straight line. If I give a 10-year-old girl in 1978 a Sgt Pepper deck, it should speak to her intuitively. If I give her a Therion deck, she's going to have to do a lot of homework before the deck starts speaking to her. But that's on the level of engineering the communicative channel, the way the pipeline connects the user into the divinatory system. On the level of architecture, it helps to build channels back into "tradition" -- the Pepper deck, for example, was basically a Thoth structure only starring the Bee Gees -- to allow your users to participate in meta-conversations with users of other (variant and "standard") decks. The more robust these channels are, the better chance your audience has to establish itself within the larger field. The "novelty" inherent in the idiosyncratic deck or divinatory lexicon is mainly of interest to me as it relates to the individual user, not the larger field of past and present users. That is, if a deck resonates with (possesses "intimacy") a user, then it is communicating information that is novel TO THE USER. If you haven't seen it, it's new to you, and the world is created anew again. That said, the formal restrictions operating in these kitsch decks do generate novelty by deforming the "traditional" structure (or model) to fit the materials at hand. The Pepper deck, for example, highlighted the love story elements of the arcana because those were the snapshots I had to work with -- the initiatory journey from zero to twenty-one became something more like Snow White, complete with the death of the maiden (and not a male initiate) in the middle. Works a lot like the process of doing a reading, only concentrating on a different level of the process. "Novelty" (the specific cards drawn) is always interacting with "tradition" (the received symbolic universe or deck), and the reader resolves the interaction to create an "intimate" explanation for the deal, an interpretation of the moment (spread/novelty) in terms of the general (deck/tradition) that makes sense (intimacy/meaning).
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