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From: catherine yronwode (cat@luckymojo.com) Subject: Los Tucanes de Tijuana LOS TUCANES DE TIJUANA REFERENCE FILE Compiled from the Worldwide Web ----------------------------------- First and foremost, Los Tucanes de Tijuana have their own web site at http://www.lostucanes.com The site contains a web-forum, images, and general fan information but no lyrics. A few people post in English, but most of the content is in Spanish. You can get a machine-translated version of the page through google.com -- just go to google, search on "Los Tucanes de Tijanua," and it ought to be the top page of the pile. Click on the "translate this page" option and much of the material will load in English ... of a sort. ----------------------------------- From US News and World Report, November 1997: Songs of Modern Heroes "I don't work for anyone. I take care of my own business. My customers are sure things. Everything is fabulous. The little Colombian rock is making me famous." So goes one cut from a CD that recently climbed the Billboard Latin charts. The song, a celebration of cocaine smuggling, is the work of Los Tucanes de Tijuana, a norteno group from Mexico. In the last couple of years, the band's odes to drug traffickers have made it hugely popular both in Mexico and in immigrant communities throughout the United States. According to EMI Latin, a division of record giant EMI, all six of the most recent Los Tucanes CDs have gone platinum and they are the only artists other than Selena to have six albums on the Billboard charts at once. Los Tucanes, the most popular of Mexico's "narco balladeers," sing corridos -- polka-influenced songs. Popular since the late 19th century, corridos have functioned as folk news wires, recounting feats of revolutionary heros like Pancho Villa. They have endured as a staple of Mexican music. But it wasn't until trafficking routes shifted from the Florida Keys to Mexico in the 1980s that drug lords became a popular theme. The Mexican government has asked radio stations not to play narco corridos. And some Spanish-language American stations voluntarily refrain. But the popularity of Los Tucanes and other narco balladeers continues to grow. --Elise Ackerman -------------------------- From brownpride.com (a Latino cultural site): In old Mexico, corridos were used to tell stories from one generation to the next. While most corridos told stories of historic events, making revolutionaries like Emilio Zapata and Pancho Villa into larger than life figures. In Los Angeles an undocumented migrant named Rosalino "Chalino" Sanchez changed corridos forever. Chalino created a whole new genre of Nortena music termed narcocorridos, which was equivalent to gangster rap. Songs were based on Mexican cartels, drug smuggling, police corruption sung to polka beats laced with an accordion line. Chalino's career was cut short; he was murdered in Culiacan Sinaloa at the age of 31. His unsolved death added to the Chalino mystic, soon everyone was bumping Chalino songs out of their car stereos. The controversy surrounding his death made Chalino a modern day folk hero. What Tupac was to rap world, Chalino was to Nortenas. It was only a matter of time before working-class Mexican-Americans would rediscover their parentsI folk music with a modern day gangster twist. Soon, sporting Tony Lama boots, Stetson cowboy hats (the more x's the better), and silk shirts became the rage in barrios and vaquero clubs through out the southwest. [story goes on to name the best narcocorridos bands, calling Los Tucanes de Tijuana "classic." Other bands in this vein are Los Huracanes del Norte, Los Originales de San Juan, and Los Tigres del Norte.] ------------------------- According to the official EMI site (in Spanish), the band members are indeed from Sinaloa, as is evident in the lyrics, which means they are from the same region as Rosalino "Chalino" Sanchez.] -------------------------- An LA Weekly review of some other narcocorridos mentions that the references to "three animals" in Los Tucanes' first big hit of the same name can be decoded thus: pot = rooster, coke = parrot, heroin = goat. Thus, all references to farm animals in their lyrics are to types of drugs, not to literal farm animals! --------------------------- From www.rinconlatino.com/content/es00825048.html The following article was written in 2000. It was translated into English with Babelfish, an automatic translation program. Corrido, a type of polka tune, is translated as "run ones" because correr means to run, and also as "in excess ones" for reasons i cannot fathom. Notice that this Univision article omits all references to drug smuggling topics in the songs of Los Tucanes! THE TOUCANS OF TIJUANA Char it with the Toucans of Tijuana It knows a little more the kings the Mexican run one [the Kings of Mexican Corrido] The colors of the toucan are a joy symbol, and that is what the Toucans of Tijuana symbolize in their in excess ones [corridos]. Ironically, they passed very difficult moments when they emigrated of its Sinaloa birthday with little more than 12 years, towards California. A LITTLE HISTORY When they were in the process to look for a name for the group, the members agreed in an animal of alive colors, that reflected the joy of its music. The colors of the toucan were adapted by their vividness. Also they wanted to make honor to the place that gave shelter them, reason why finished off the name with Tijuana. Thus, in 1987 the Toucans were born of Tijuana. They used the in excess one [corrido], a musical sort that was born during the Mexican Revolution, to speak of controversiales events that only appeared in newspapers and the television. Histories of contained fort and a very Latin tradition, the run ones [corridos] of the Toucans of Tijuana always say the things as they are, but with the intention to send a positive message to the mentality of their admirers. Most popular they are My Three Animals, the Pinata, the Centenary, Platonic Love, and Kidnapping of Love [song titles]. THEY CROSS THE BORDER WITHOUT OVERHAUL The Toucans of Tijuana have made tours of presentations by all the Mexican Republic, the United States, Chile and Spain. Between July of 1995 and July of 1997, they sold 5 million and means of units in Mexico and the United States and have managed to be one of the Hispanic groups that manage to place seven of their recordings in the list of 50 more sold of the Billboard magazine. The impact of its music took them to the means covers important like The New York Times, Los Angeles Times and San Diego Tribune and are, until the moment, the only Mexican northern group of that has sent itself material in Europe and all Latin America. In addition they are first in receiving Disco de Oro in Chile. (c) 2000 Univision Inc. Communications Miguel Heron Univision Online, Mexico ------------------------------------- From quepasa.com comes this 1999 mini-interview: Los Tucanes, the heavyweights of the Norteno music scene are promoting a new album Al Por Mayor, which has twelve songs, the most popular of which is "De Tin MarAn". The group has plans to travel throughout South America. "Last year we were in Chile, where we were presented with a gold record, and we are planning to return next year when we tour Central and South America, and Europe, over in Spain." During the press conference quepasa.com questioned Mario Quintero, the band's lead singer. The themes of their folk songs about narco-trafficking didn't go untouched that night and the group didn't hesitate in responding with their point of view regarding the controversial issue: "Well, I respect those who consume drugs, that is an individual decision, and we sing folk songs about narcotrafficking because there is a large market for it and we take advantage of that large demand for those songs to provide a positive message in each song, that people shouldn't get involved in those things because they are dangerous." The folk songs are popular among Tucanes fans but, like Mario confessed that night, they also receive inspiration from their fans, "in the letters that the girls give me during the shows, well the girls are beautiful, they tell us nice compliments, and all of that we also convert into the lyrics of our songs." -------------------------------- And finally, a really good 1998 article from the San Diego Union-Tribune, captured on the NORML newsletter web page, of all places! TIJUANA BAND HAS FANS HOOKED ON DRUG-WAR BALLADS TIJUANA -- Before roughly 35,000 fans, Los Tucanes de Tijuana stood shimmering in silver-spangled suits and black hats on a recent Saturday night, belting out one of their best-known numbers. It told of a pinata for adults, filled not with candy, but little bags of "something more expensive": in other words, drugs. As drug smuggling proliferates on the U.S.-Mexico border, Los Tucanes de Tijuana join a growing number of norteno groups using the traditional Mexican ballads, or corridos, to tell the stories of today's drug traffickers. Bungled police raids on suspected safehouses, a drug-laden airplane buried in Baja California Sur, corrupt U.S. and Mexican anti-drug agents, a farmer who gets away with growing an illegal crop -- all are topics of recent songs, known as narcocorridos, by the Tijuana-based group. "We have an abundance of material," says Mario Quintero, the four-member group's 27-year-old songwriter and lead singer. "All you have to do is watch the news or buy a newspaper." Los Tucanes are certainly not the first to sing about drug smuggling. Los Tigres del Norte and other bands playing northern Mexican music have been incorporating the theme into their repertoire too. But the brash lyrics of Los Tucanes songs have taken the genre a step further, say critics worried about the effect on young audiences who flock to their concerts. The group hit the headlines last year when a suspect described by law enforcement authorities as a member of the Tijuana-based Arellano Felix drug cartel said that his bosses had subsidized Los Tucanes and other norteno groups. Los Tucanes shrug off such accusations, conceding they might have unknowingly performed for members of the Arellano Felix cartel at a private party, but haven't met them personally. "We haven't had the pleasure," Quintero says. "Everybody criticizes them, but they don't take into account their generosity, their philanthropy," Quintero says of the powerful drug cartels, said to have built roads and schools in rural communities and known to have contributed sums to the Catholic Church. "We respect these people; we admire them." Simply attributing Los Tucanes' popularity to their narcocorridos would be missing the mark. The group's four latest compact discs have sold more than 2 million copies in the United States and Mexico, and many of their most-popular songs are not about drugs, but love and relations between the sexes. Their current song, number 20 on Billboard's list of Latin songs, is called "Hacemos Bonita Pareja," "We Make a Cute Couple." Still, the surging popularity of drug themes popularized by groups such as Los Tucanes speaks to their growing pervasiveness in Mexican culture, says Manuel Valenzuela, a researcher at the Colegio de la Frontera Norte outside Tijuana. "Clearly, the codes of narcoculture are becoming incorporated into everyday life." SUCCESS STORY In some ways, Los Tucanes tell a Tijuana success story. They are from the town of Guamuchil in the Pacific Coast state of Sinaloa, in an agricultural valley adjacent to a major marijuana and poppy-growing region. The band members are cousins who came to Tijuana like so many others do -- in search of greater opportunity. Quintero, a junior high school graduate, worked for a while in a maquiladora. Sons and grandsons of musicians, Los Tucanes began playing together 11 years ago, performing at bars, weddings, baptisms, and 15th birthday parties, or quinceaqeras. Back at the beginning, longtime associates say, the group dreamed of one day warming the crowds for better-known norteno groups such as Banda El Recodo or Los Temerarios or Los Huracanes del Norte. Now they're packing their own crowds. VOICES OF CONCERN Despite their growing renown, not everyone is applauding. Across from Texas, in Ciudad Juarez, the state government's human rights representative, Eustasio Gutiirrez Corona, two months ago called on authorities to ban narcocorridos by Los Tucanes and other groups from the airwaves, saying they encourage crime. But nobody listened, he concedes. "They're still playing them." Here on the Tijuana-San Diego border, two popular Spanish-language music stations under the same ownership, Radio Latina and X-99, refuse to play narcocorridos. "Just ask the children who listen to narcocorridos, just ask them what they want to be when they grow up," says Lorena Salas, programming director at X-99. Narcocorridos "represent a reaction against the norms and laws of society," says Monsignor Salvador Cisneros, who heads a Catholic parish in Playas de Tijuana. "There is a segment that looks with curiosity and admiration upon these men who have evaded justice." Laced with irony and doubles-entendres, the lyrics played by Los Tucanes are among the most brazen of the current waves of corridos. "They represent something that is culturally legitimate, although it's very frightening," says James Nicolopulos, a University of Texas professor who has studied the corrido. "They're expressing the viewpoint of a marginalized section of society on both sides of the border, the people who are going to see drug traffickers as heroes, figures who have escaped a system designed to keep them down," Nicolopulos says. A COLORFUL HISTORY Corridos have been around since the 1800s, and outlaws have been a popular subject from the beginning: 19th-century textile smugglers, liquor smugglers of the 1920s, immigrant smugglers in the ensuing decades. Though earliest narcocorridos can be traced back to the 1940s, the current wave dates back to the 1970s, pioneered by Los Tigres del Norte, a norteno group whose music continues to command a wide following on both sides of the border. But in the earlier songs, Nicolopulos says, "the trafficker was beating the system, getting out of poverty. The element that was celebrated was not drugs, but the dangerous situation in which these people found themselves." With Los Tucanes, "there seems to be much more focus on selling and using the drugs. There's more braggadocio, about 'See, I am getting away with it.' There's a whole throwing down the gauntlet at the ideology of the drug war." The band members shrink from such analysis, and insist they're just playing songs about what they see around them. "We're surrounded by narcoculture," says Quintero. "Our public wants to play narcocorridos, and we can't strip them of that pleasure, because we depend on them." Back in Tijuana this month, Los Tucanes drew a record crowd to the Terrenazo Caliente for an outdoor performance that lasted well over two hours. Against a lavish backdrop that included fake palm trees and a mechanical waterfall, Los Tucanes pounded out song after song, Quintero taking center stage with his plaintive twang and 12-string guitar, or bajo sexto, as Joel Higuera, the accordionist and second voice, acted the clown as he hopped to and fro. "Mario, Mario, Maaaaario," young girls from both sides of the border shouted, pushing against the barricades, pleading for a moment of the singer's attention. Farther back, clusters of youths strutted in elaborate silk shirts, snakeskin boots and ten-gallon hats. "Their songs make your blood rise," said Enrique Dmaz, a 21-year-old maquiladora worker, reciting the lyrics of his favorite Tucanes song, "Manos Verdes": "Me Dedico al Negocio Prohibido -- I engage in forbidden trade." Rosemary Quiroz, 16, listened with a cluster of her girlfriends from Castle Park High School in Chula Vista. "You get into the music, the beat makes you dance," she says, then adds: "What people really think about drugs, they say it in their songs." Copyright 1998 Union-Tribune Publishing Co. ------------------------------ Now all we need are translations of the lyrics -- and tickets to one of their shows! cat
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